Next up, you download and install the SampleTank 4 software from the IK Multimedia website – you’ll need just short of a GB of space. Luckily, the whole package is delivered on a pen drive. This is obviously right up there with the bundles from NI and Steinberg in terms of scope but, to my mind, is really more on the wavelength of synth and workstations from the likes of Yamaha and Korg in terms of delivery. Finally, SampleTank 4 MAX, on test here, is a tasty quarter-terabyte of samples and 8,000 sounds for €599. Next up is the regular SampleTank 4, which delivers 100GB of samples and a whopping 6,000 sounds for €359. You get SampleTank LE (the ‘affordable sound and groove workstation’) which offers 30GB of samples and 2,000 sounds for €179. The ST universe has not only moved on to version 4, but there are three versions within that. The last time we looked at SampleTank it was in version 3. You won’t be surprised to learn that it is related to the number of Gigabytes of material you get. The all-new SampleTank 4 Max does all of that, and some.īefore we dive in too far, let’s explain the ‘Max’ factor. Despite everyone going modular-and-analogue mad, it seems there is still a fabulous case for an all-singing, all-dancing application that covers just about every sound you will ever need, in one.
It was the first of a generation, a romping ROMpler capable of emulating any instrument.įast-forward nearly two decades and our views on using a computer solely for music production might have changed to re-embrace hardware, but SampleTank is still here and it’s still making a very good case for your cash. By this time, around 2001, computers could do pretty much everything, apart from mimic those huge workstations that could produce every instrument sound under the sun.
When the original SampleTank was released, the dream was to do everything previously done in music hardware, in software, on a computer.
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